I think that’s your B story right there, the fact that they’re all misfits, too out of step with their times, driven by a wild yearning and a sense of romanticism. The movie itself is 0% anachronistic, but the protagonist are anachronistic in spirit.
Dracula meanwhile as a villain represents postmodernism, apathy, and the banality of evil. He’s ironic, sleek, with it - a Londoner par excellence, rich and idle, but his life is a living death, figuratively as well as the whole undead thing.
The third act sees the protagonists combine their fighting styles excellently, but without avail. However, their foolhardy spirit and absurd heroism inspires Dracula to an inner awakening, and they come to an understanding in the end.
Post credits stinger: Van Helsing and Captain Ahab combine forces to take down a were-whale.
I think that’s your B story right there, the fact that they’re all misfits, too out of step with their times, driven by a wild yearning and a sense of romanticism. The movie itself is 0% anachronistic, but the protagonist are anachronistic in spirit.
Dracula meanwhile as a villain represents postmodernism, apathy, and the banality of evil. He’s ironic, sleek, with it - a Londoner par excellence, rich and idle, but his life is a living death, figuratively as well as the whole undead thing.
The third act sees the protagonists combine their fighting styles excellently, but without avail. However, their foolhardy spirit and absurd heroism inspires Dracula to an inner awakening, and they come to an understanding in the end.
Post credits stinger: Van Helsing and Captain Ahab combine forces to take down a were-whale.