Not mine, but a friend of my dad’s would talk about the time he was an “asshole bagger”. He worked in a slaughterhouse, and his job was to cut a circle around the anus and pull up all the bits that might have poop in them and bag them up. He lasted a day.
Doesn’t sound like they actually went through with it?
They did not. I use Audacity regularly on more than one platform. It collects no data from me. It also hasn’t received an update in years, but still does exactly what it needs to do, and does it well.
That said, I hadn’t heard of Tenacity until this thread, and it looks like I shall be migrating over to that anyway. Better safe than sorry.
Agreed! A good, campy action movie is great. The problem with Mission Impossible is that it otherwise took itself entirely seriously.
The first time I remember absolutely losing my suspension of disbelief was at the end of the first Mission Impossible reboot where Tom Cruise puts an explosive on a helicopter he’s hanging on the outside of that’s flying behind a train through a tunnel, and the explosion completely destroys the helicopter and flings him onto the back of the train. Yeah, that helicopter (which probably couldn’t be flying through a train tunnel to begin with) was made of far tougher material than Tom Cruise. Any explosion that destroyed it, would have turned him into a stain on the wall of the tunnel.
Hmm. I made no effort to advertise at all. I came during the Rexodus last year after the API kerfuffle. Initially, it seemed promising, and I didn’t think I’d need to, but activity died down quite quickly. I’ve never moderated a community before or anything like that. I certainly don’t want to it to become a full time job. I have enough of those.
Welcome!
Welcome to the club!
To everyone saying that someone has already said what they want to say: post anyway. You’d be surprised how significant tiny differences in perspective can be.
I did. There’s almost zero engagement. My most popular thread is a meta narrative about me being in there talking to myself. There were at least two other attempts that are even more inactive. Not enough of y’all are into synthesizers.
The best I can figure is that the 4M$20 track was popular on a streaming service that pays better, and vice versa for whatever reason.
That’s more than $45!
I got free beer at a show once 20+ years ago, too.
I pay Distrokid ~$20 a year to distribute my music to a lot of streaming services, but I do not pay individual streaming services. I never really expected much return. I wasn’t disappointed! Haha!
Maybe some kind of increasing scale for revenue depending on larger numbers of listens.
My break down by track is pretty inconsistent, too. I’ve got a single track with over a million listen that made me 36 cents. My most popular track has over 4M listens, and it’s responsible for half that $45. Distrokid doesn’t say which streaming service that revenue comes from, either. Some pay more than others, I imagine.
I have to wonder about the logistics. He can’t be running them on his own single Internet connection. Or could VPNs handle it so it would appear his listens are coming from all over the world? $10M is a lot of money. How long did it take to amass that?
Me? Honestly, I think it would be obvious to any discerning listener what music is actually made by a person, and what music is AI generated, but really, there’s so much music out there of wildly varying quality thanks to accessibility of production tools these days, it probably is literally impossible to tell the difference anymore.
Searching my username should do it. Not sure what streaming services you’re subscribed to. It’s all on YouTube, too.
A little bit, for sure. Tempered harshly by the fact I’ve spent thousands of hours and thousands of units of cash on a hobby that paid me back $45. Good thing I don’t do it for the money!
Wow. I’m a hobbyist musician. I have ~12 million listens across various streaming services and have made a whopping $45 in the two years since I finally released ~25 years worth of material. (Which is a lot of why it’s my hobby and not a living.)
I can’t imagine the numbers this guy had to pull off to make that much.
They died well before mobile formatting was a concern. I suppose other aspect ratios were getting more popular then. That and the security issues the other poster mentioned probably contributed.
Hmm. You are correct. On both my Windows and Linux machines, I am on Audacity 2.4.2. I’ve been using it for years, now. I never changed my sources, and it never stopped working. Haha!