So the Italian film, “Saló or the 120 Days of Sodom”, turns out to be correct about the fascists, even if the director, Pier Paolo Pasolini, said it was a metaphor. He was believed to have been killed by fascists because of the director’s anti-fascism.
So the Italian film, “Saló or the 120 Days of Sodom”, turns out to be correct about the fascists, even if the director, Pier Paolo Pasolini, said it was a metaphor. He was believed to have been killed by fascists because of the director’s anti-fascism.