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Joined 2 months ago
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Cake day: August 12th, 2025

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  • The tricky part about a general strike is that you dont have much room for do-overs if it turns out you don’t have the numbers you need. Protests are largely symbolic, but are also a good way for organizers to gauge how willing/able folks are to engage in more drastic action.

    If a general strike is what you think the movement should go towards, I recommend your next steps be strengthening community support systems - food banks, free clinics, shelters, etc - since these things will be needed to support a general strike (folks will choose feeding their children over political action, so make sure they can accomplish both). In the mean time, it also helps out folks who have been hit the hardest by republican and trump cuts to services.

    I highly recommend folks read up on some of ICNC’s stuff, since they focus on the practical side of nonviolent conflict.





  • Has the concept of UBI been around long enough to fulfill your requirements? A 20-year study across a large population would of course be superior, but shorter-length studies with less people are necessary to prove/disprove whether those large scale studies should be funded. Not to mention the ethical implications of forcing someone into a large scale study like that before any results have been shown at all.

    I think it’s fine to be skeptical of anyone considering UBI to be “case closed”, but small studies being done before large studies is standard practice. You can’t give that kind of grand scale funding to every hypothesis that pops into someone’s head, so it’s a reasonable way of determining what shows promise and should be looked into more.



  • Well, there are plenty of famous artists who only became famous after they died. Contemporary popularity doesn’t guarantee historic/cultural impact.

    I’m not aware of the specific requirements of this program, but Iteland also has a case for cultural preservation, particularly with works in the Irish language, which may not have the international appeal necessary to make a good profit but are important for intrinsic reasons to Ireland.

    There’s also the case to be made that in order to become a great artist, you must first be a bad artist - and there aren’t that many jobs for internships/apprenticeships in the arts, especially as some of the more “basic” jobs (cheap graphic arts, copywriters, muzak, etc.) are snapped up by AI.

    I think there is an interesting discussion to be had about what an artist must have in order to qualify for something like this. I would also be concerned with “antiestablishment” works possibly being excluded.


  • I haven’t blocked anyone here, but on Tumblr I started unfollowing folks who posted about doom and gloom all the time. That site’s more conducive to memes and TV show discussions than it is discussion about news/politics, and I don’t like scrolling through a bunch of superhero memes and then getting hit with a post about the latest atrocity in the world. That stuffs important, but it’s not healthy to fixate on it all the time.

    It’s important to curate what you’re doing so that you dont fall into a doomscrolling trap or get ragebaited into arguments that go nowhere.







  • Yes. It’s natural that participation will ebb and flow, that’s why it’s important for folks not to give up and say it was all useless after just one day. Having regular weekly events and a monthly “big” protest seems to be the strategy for maintaining momentum.

    Escalation could also be useful - though of course that doesn’t necessarily mean jumping to blood-and-violence, there are many other tactics that can be used (like the targeted boycotts, for example, or a general strike). Even more “passive” things like voter education (where polls are, how to register, etc.) can add up over time.